Session 9.4: Romancing Chinese Worlds
Abstract:
Presentation:
Romance in Chinatown: the love stories of Edith Maude Eaton
Edith Maude Eason:
- Identified as Chinese American even though she could pass as non Chinese
- Wrote about west coast Chinatowns, especially San Francisco and Seattle
- Writing for dominant culture (white audience)
- Very successful at the time, had her own publisher
In the US:
Anti miscegenation laws and immigration laws led to Chinese bachelor populations. The Chinese Exclusion Act in 1882 prevented immigration by Chinese people. It also:
- Barred Chinese women, assuming they were all prostitues
- Families were prevented from forming / being created
- Chinatowns became zoned – Chinese people not permitted to live elsewhere
- While photographs of the time only Chinese people in Chinatowns, but they were they were designed largely for white tourism
- Despite the name, the architecture was largely Edwardian
- Easily recognisable social identity was created
- Govt believed people couldn’t become citizens and would stay homogenised (and they enforced this cycle)
USA Society repressed Chinese people, but China Towns allowed for more romantic freedom.
- Eaton’s 1912 novella on marriage moved life from the street into the home
- Her fictional stories challenge the racial stereotypes
- However the romances have not been explored much
Eg Mrs Spring Fragrance
- Trickster use of language, repeats things over even if not true
- Eg Tennyson was American
- Creates a sense of belonging to American identity, even if the facts weren’t true
Other story:
- Pan (mixed race)
- Mark Carson (white journalist)
- Pan has access to secret places, bohemian, not restricted
- Mark’s story about Chinatown is a rejection of her mixed race heritage, akin to a sexual assault on her
- Story is a miniature revision of Madam Butterfly
Separations by government:
- Ellis Island – famous entry point to the US in New York
- Angel Island – West Coast (very dark mirror universe version of Ellis Island) – many Chinese were
Maude’s sister, Winnifred Eaton, wrote under the name Onoto Watanna. By positioning herself as a Japanese American, Wiinnifred was presenting herself as a more ‘acceptable’ type of Asian American.
Eaton’s parents were married prior to the anti miscegenation laws were enacted. Her parents had a marriage that was denied to later Chinese immigrants, and Eaton and her sister had an upbring that didn’t exist for later generations.