“Reader, I mirrored him”: the recasting of romance tropes in Jane Eyre fanfiction

Dr Lucy Sheerman Session 7.3: 19th century legacies Abstract: Representatives of Charlotte Bronte’s novel Jane Eyre have proliferated since its publication. Within three months a play had been staged and at least eight plays had bee performed by 1900. From 1910 onwards the story was also re-cast for film. Eight silent and fifteen feature film […]

Beloved Monstrosity: Romance and Romanticism in Frankenstein

Steven Gil (Queensland University of Technology) Session 7.2: 19th century legacies Abstract: Upon its bicentennial anniversary, Mary Shelley’s Frankenstein; or The Modern Prometheus (1818) remains vests with significance. Most are aware of a simplified version of her narrative where a man ‘playing God’ creates new life only to be ultimately destroyed by his work. However, […]

House, Home & Husband in historical romance fiction

Dr Sarah Ficke (Marymount University) Session 7.1: 19th century legacies Abstract: Home. For Elizabeth Bennet, as for many real middle- and upper-class women during the Regency and Victorian periods, “home” was a concept fraught with anxiety. Legal restrictions on women’s right to own property, entailed estates, and limited economic opportunities meant that marriage was the […]

One of the Guys? Eve Dallas as a masculine worker heronie in J.D. Robb’s ‘In Death’ series.

Jayashree Kamblé (La Guardia CC, City University of New York) Session 6.4 Power and Patriarchy Abstract: Harriet Bradley’s study of gender in work history documents how gender roles affect the practice and perception of labour. Her observations are crucial to understanding the labour of Eve Dallas, the murder cop in J.D. Robb’s long-running In Death […]